Doing black and white abstract decorates is fun to do. In this video I will give you a dozen gratuities and deceptions, draw certain basic illustrations … … and I will also evidence you a number of craftsmen and their artwork to help you. Just after this. Hi there, my epithet is Albert van der Zwart, welcome to Imperfect Paintings … … where it is all about improving your make-up skills by looking at art, yourself and the world around you. This video is the first in a small series because I precisely have too many ideas to settled it all in one video …… link up here and in the description below for the( over the weeks developing) playlist. Gives begins with black dye on a lily-white membrane. Exactly some brush blows to warm up. What are you thinking of when I say black and white abstract make-up? What likeness or retentions are sounding up in your head? Gives begins with a pitch-black path and attend, and if possible sense, what happens when I draw or remained unchanged, using a 40 mm touch. Now I provide it to the left side beyond the edge of the paper. Do you see how this reforms the portrait wholly? What is this line doing and where is it coming from? By finishing the line on the right side beyond the edges of the working paper, something strange is happening. The epitome becomes dull to me. But to tickle your imagery I can tell you there is something else going on. I take another sheet, twice the sizing and dye an same wrinkle. Look at this, likewise an interesting moment. The cable almost ogles too big for the membrane. When finished and baked I framed them on top of each other. The question is: what part of the line on the bigger sheet did I depict on the smaller one? How about when I take a different sized sheet of paper and colour the line a bit lower? Or like this? When glued together they likewise can be interesting to put on your wall because of the layered newspaper. Or how about varying it this route? Do keep in mind, when making a painting, the world countries you illustrate is never restricted to the size of your newspaper. Like when I look outside, while working on this video, the three windows together give me a viewpoint on the world outside. But each opening separately depicts a different position. When I look outside from the attic, one storey higher, my view is different again. You, being the master, decide what you want to show of the world you depict. Now I have this sheet and the line reminds me of a scope and I change it into an abstracted blizzard landscape. The trees gaze strange so I add some more paint. By adding some additional black on the top left, it may seem like the vigour of the landscape conversions. You may have questions about how to make an interesting black and white abstract depict yourself. When I look outside I hear all these foliages in our plot. Good-for-nothing special perhaps in sink. But the pavement tiles underneath form nice formulates. Nature is a master in creating random essays. Only learn to look around, like I do, and find inspiration to paint. Oh and the fledglings can be great artists as well. I think of ways to alter these compositions and stencils come to mind. I like to create my own stencil by using a page of an old glossy periodical. I take one page, fold it and weeping a half halo out of it. I make pitch-black cover and realise some publications of the cut out. The paper of the glossy publication is a better pick for this than a paper towel or for example a sheet of a newspaper. Just do a few and give it dry, otherwise you introduced the stencil on a rain recognize and create a mess. When cool, do some more. Turn your stencil to enhance the random look and tell the discerns partly overlap. Do make it a practice to cover from the outside in, otherwise you can accidently wipe the colour under the stencil … … and mess up the repeated blueprint of analogous influences. Do think of painting some on the leading edge of the paper, it creates this gist like the long way, that the world is bigger than the paper you draw on. You can try to cover everything there is perfectly. Personally I like it better when it’s not perfect. When cool, look at your stencil, we are to be able to roughly be a work of art more. To know what you can choose from, I advocate to be addressed your brushes and tools and try using what front you can create with them. I take a 5mm, a 10 mm and a 40 mm brush, a palette pierce, my thumb … … a neatly folded paper towel and now I make a wad of it that creates a different inspect. This last word reminds me of the artwork of the American artist Franz Kline who is known for covers like these. His use of strong strands obligates his art interesting for me to look at. Lets see if I can depict in his wording. All the things I use in this video, and likewise the links I mention, are in the description below. When finished you can frame it. But in abstract prowes like this it can also be interesting to turn your membrane to see which explanation of the image “youd prefer”. The bigger grey background parts as a passe partout. These big directions prompt me of my block touches that I forgot to try. I bought them for my illustration track some time ago, link up here for the video if you want to see what we spawned. At my era occupation “weve received” proportions in enormous extents and sometimes they are separated from each other by newspaper, small-minded ones or monstrous portions like this one. Unfortunately its brown paper so I take some white-hot wall depict to show different ways to use a line in your artwork. It was a fun little project in between that intention like this. Question of the working day: Do you like to coat in black and white? Is there a skill you want me to show in a next video? Tells talk in the comments, I read and answer them all. Another path of playing, or doing investigate, is by taking a sheet of black article and cut a number of strips. By do practice runs you can save a lot of paint, newspaper or epoch. In the Netherlands we announce this style of working Dry swimming. This utterance goes back to about 80 several years ago when boys may be involved in baked swimming lessons. Link up here for a funny video about it. By attract the piece partly of the paper you can see the effect of a shorter line. The master Wassily Kandinsky wrote a journal announced Point and path to plane where he shows examples like these. In the description you can find a link to the book. Kandinsky made a lot of artwork based on positions, like these. Of direction you can also cut the strips into smaller parts. An interesting decorate perhaps is this one by Piet Mondrian, from the time before he made his colorful depicts like these. He also made a few black and white ones. When you want to up your recreation, take also a bigger piece of paper or a very thin strip. My advice in general: play around, its the best way of learning. The white in a black and white abstract decorating can be the white paper you cover on, but you can also use white paint to create different outcomes. This is a very simple example where I only apply white-hot draw in the middle from left to right. The black depict that comes next concoctions with the sodden grey dye to gray hues. I simply continue following a idea or doctrine that dads up. When finished, I turn my expanse around again, like I demo you earlier.Suddenly I meet an synopsi human figure in the middle. I enjoy catches like this. If you like to learn more ways to use white paint in your black and white abstract paints ….. and too like to see how you can create different aftermaths, really click on the link and I will see you over there in the next video ..